Masterclass: telling our stories: directing the feature

As narrative filmmakers we are called to tell engaging and relatable stories. How do we get inspired by our own stories and find, not only the courage but also the commitment to see them through? How do we relay indigenous stories in a way that explore universal themes whilst remaining true to our roots? It’s important for us to recognise that our Caribbean identity, experience and history are strengths which can be used to our advantage to stand out globally. Award-winning Dominican director, José María Cabral, has proven successful in creating compelling films from his uniquely Caribbean perspective.

This two-part masterclass is an opportunity to learn from Cabral’s route to staying true to the Caribbean while also deconstructing his process as a filmmaker. From how we should go about writing a script to working with actors and having them remain authentically Caribbean in their portrayals, to post-production, this is the chance to gain invaluable insight into how he’s able to bring his visions to life – choosing appropriate stories; film financing; techniques on working with a limited budget; editing; marketing; distribution; and festivals. His feature film, ‘Perejil’, which is in competition at ttff/22, will be a case study.

logistics

dates: Thursday 22 + Friday 23 September, 2022
time: 12.30pm–2.00pm
location: NALIS (Seminar Room 2)
rsvp: pre-registration required. Sign up here!
tickets: TT$300. Tickets will cover the cost of the two sessions. They are available here.
facilitator: José María Cabral

Advance tickets are available at ttfilmfestival.com and can also be purchased via bank transfer or in person (cash, credit card or linx) at our FILMCO office, located at 22 Jerningham Ave. 

FILMCO members, filmmakers with a film in the Festival and students with a valid photo ID, can receive a 50% discount on workshops and masterclasses! Please email Nyola at festival@filmco.org for information on payment options and to receive your discount code.

about José María Cabral

José María Cabral is a Dominican film director, screenwriter and producer. He  started making films when he was 16 years old, giving private screenings of his work to family and friends at local movie theatres. One of his short films, ‘Excexos’, got national distribution. His first feature film, ‘Jaque Mate’ (2011), was screened at a number of film festivals and selected as the Dominican entry for the Best Foreign Language Oscar at the 85th Academy Awards. ‘Arrobá’, ‘Despertar’ and ‘Detective Willy’ followed. Cabral premiered ‘Carpinteros’, a film about the realities and relationships of prisoners in Dominican jails, at the 2017 Sundance Film Festival. He also represented the Dominican Republic’s Oscar submission with his following film ‘The Projectionist’ (2019).

Strong line-up at TTFF

T&T will present four feature-length films and over 34 short and experimental films during the T&T Film Festival (TTFF) from September 19-26.

One of those films, a movie adaptation of Michael Anthony’s Green Days by the River directed by Michael Mooleedhar and Christian James, will be the opening night film.

In a release last week, the festival announced most of its Caribbean line-up, which includes several award-winning and critically acclaimed films.

The festival will be held at MovieTowne Port-of-Spain, San Fernando and Tobago, as well as at the University of the West Indies, St Augustine.

The films from some of the Caribbean’s finest film makers include, from the Dominican Republic, Jose Maria Cabral’s Carpinteros (Woodpeckers), a high-octane, no-holds barred movie about a forbidden relationship conducted through prison bars and across the 200 yards of empty space dividing the male and female prisons in Santo Domingo. Carpinteros, which played at the Sundance Film Festival, has been described by critics as a “raw, intriguing and energetic blend of the tough and the tender.”

T&T Film Festival announces strong line-up

A strong line-up of critically acclaimed, award-winning Caribbean films will screen at this year’s Trinidad and Tobago Film Festival (TTFF), to be held from September 19 to 26, at MovieTowne Port-of-Spain, San Fernando and Tobago, as well as at the University of the West Indies, St Augustine.

The films from some of the Caribbean’s finest filmmakers, include, from the Dominican Republic, Jose Maria Cabral’s Carpinteros (Woodpeckers), a high-octane, no-holds barred movie about a forbidden relationship conducted through prison bars and across the 200 yards of empty space dividing the male and female prisons in Santo Domingo. Described by critics as a raw, intriguing and energetic blend of the tough and the tender, Carpinteros played at the Sundance Film Festival, to great acclaim, a release said.

Bahamian filmmaker, Kareem Mortimer’s moving and topical film, Cargo, tells the tragic story of human trafficking from the point of view of reluctant trafficker, Kevin. An American exile with a gambling addiction, living in the Bahamas, he begins smuggling Haitians to Florida in an act of desperation, to keep his secrets buried and get out of a financial bind.

TT Film Festival announces strong lineup of Caribbean films

A strong lineup of critically acclaimed, award-winning Caribbean films will screen at this year’s trinidad+tobago film festival (tt/ff), to be held from September 19 – 26, at MovieTowne Port of Spain, San Fernando and Tobago, as well as at the University of the West Indies, St Augustine.

The films from some of the Caribbean’s finest filmmakers, include, from the Dominican Republic, Jose Maria Cabral’s Carpinteros (Woodpeckers), a high-octane,  no-holds barred movie about a forbidden relationship conducted through prison bars and across the 200 yards of empty space dividing the male and female prisons in Santo Domingo.  Described by critics as a raw, intriguing and energetic blend of the tough and the tender, Carpinteros played at the Sundance Film Festival, to great acclaim.

Bahamian filmmaker, Kareem Mortimer’s moving and topical film, Cargo, tells the tragic story of human trafficking from the point of view of reluctant trafficker, Kevin. An American exile with a gambling addiction, living in the Bahamas, he begins smuggling Haitians to Florida in an act of desperation, to keep his secrets buried and get out of a financial bind.