‘Riddim’ paints a cross portrait of three young Guyanese urban dancers. For them, dance is a vector of integration and social recognition. They symbolise the power of appropriation of an entire generation, the emergence of an identity of its own.
‘Riddim’ paints a cross portrait of three young Guyanese urban dancers. For them, dance is a vector of integration and social recognition. They symbolise the power of appropriation of an entire generation, the emergence of an identity of its own.
Riddim (2022) |
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Medium Length (52mins) Documentary |
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Region: |
France |
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Rating: |
PG |
Director(s): |
Maël Cabaret |
Mael Cabaret is a director of documentary films and associate producer with the company Les 48° Rugissants. His films include ‘Oyapock’ about border relations between French Guiana and Brazil; ‘Les enfants du fleuve’ on maternity in Guyana. He co-directed the 10-part series, ‘Dans l’oeil du petit écran’, which explores the global relationship with television.
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