Asha flies in from England to visit her old family home. But there’s trouble in paradise. Her aunt Mary doesn’t like her associating with their Afro-Trinidadian neighbours. Then Asha begins to realise this abandoned seaside coconut estate is not as tranquil as it looks. Trinidadian-American director Anderson’s striking imagery mingles memory and imagining, the mundane and the supernatural, in examining family, race, class, and the quest for home.