With an irresistible Caribbean twist, in adapting Shakespeare’s A Midsummer Night’s Dream, Barbadian filmmaker Shakirah Bourne has a character named Bottom played by a woman.
In a 21st-century retelling of this classic comedy about breaking all kinds of rules, why not?
Similarly, the music-induced madness of a Caribbean carnival—in this case, Cropover—and the lush tropical bush are perfect substitutes for Shakespeare’s classical setting and more sedate European forest.
In a Caribbean Dream, Bourne blends Bajan accents and iambic pentameter in a combination so perfect that, like the wedding of Theseus and Hippolyta, it seems a match made in heaven.
In an introductory soliloquy, the beautiful changeling boy who inadvertently causes trouble between the fairy royals describes this version: it offers sunsets and flying fish, Bajan spouge music and calypso beats, mystery and magic.